Thakin Kodaw Hmaing (
23 March 1876 -
23 July 1964) was the greatest
Burmese poet, writer and political leader in the 20th century
history of Myanmar. He was regarded as the Father of Burmese nationalist and peace movements as well as a literary genius. His legacy and influence on the postwar generations can still be felt in both literature and the ongoing political struggle for peace and a new society in Myanmar.
Formative years
Hmaing was born Maung Lun in Wale village near Shwedaung in Lower Burma. He was sent at an early age to be educated in the traditional manner in Mandalay, and at the age of 9 he witnessed the fall of the Konbaung dynasty and the abduction of King Thibaw and Queen Supayalat by the British, being taken away in a carriage, near the queen's own Myadaung Monastery where he was a boarder. It was a scene that he would never forget and one that sparked his nationalist fervour in a life-long struggle for independence.
Literary genius
In 1894 Hmaing moved to Rangoon to start his career as a playwright, and switched to journalism later on writing articles for a newspaper in Moulmein (now Mawlamyaing). In 1903 he married Ma Shin whom he had met in Rangoon before moving to Moulmein, and returned to the capital as the nationalist movement was gaining momentum in 1911 to work for the Thuriya (Sun) newspaper. Writing under his own name Maung Lun or Saya Lun, he had already reached a wide audience by now through traditional stage plays written in verse and based on historical Burmese myth and legend. He contributed regularly to the paper and other publications such as the Dagon magazine where he later became an editor.
His mastery of classical Burmese literature enabled him to write extensively in verse with such ease and flair that future generations of writers still find hard to match. A genius in multiple and complex rhyme, here is one of his couplets that has often been quoted: Kaung myo ahtweidwei yenè chunzei myazei saw, daung owei yelo tunzei kazei thaw - "May a myriad good things with vigour have a chance; may the peacock have its call and dance".The dancing peacock (ka daung) was the emblem of Burmese sovereignty featured on pennants, coins and currency notes, whereas the fighting peacock (hkut daung) is the emblem of Burmese student unions. Owei is the call of the peacock and was also the title of the Rangoon University Students Union (RUSU) magazine.
Hmaing also wrote in mixed verse and prose style brilliantly presenting satires in the form of learned religious commentaries, called htikas in Pali, such as Hkway htika (On Dogs) in which he castigated politicians for wasting their time and effort in futile squabbling when they should be concentrating on the fight against colonial rule.
- Bo htika - On Chiefs 1914
- Daung htika - On Peacocks 1920
- Myauk htika - On Monkeys 1923
- Hkway htika - On Dogs 1925
- Boingkauk htika - On Boycott 1927
- Galonbyan dipani htika - On the Flying Garuda 1931
- Thakin htika - On Thakins 1938
Mr Maung Hmaing
A novel titled Missata Maung Hmaing hmadawbon wuttu (the Epistles of Mr Maung Hmaing) written under the pseudonym Mr Maung Hmaing in 1916 immediately caused a furore which was also the intended effect. Maung Hmaing was the name of the main character, a Casanova- like scoundrel, in a popular novel at the time called Chinbaungywet the Maung Hmaing (The Roselle Vendor Maung Hmaing) by U Kyee (1848 - 1908), and Hmaing by taking his name and styling himself Mister at the same time was mocking the affectation among some fashionable Anglophile Burmese who had started putting Mr in front of their names. It did stop the trend. And the name stuck.
National leader
Hmaing joined the nationalist Dobama Asiayone (We Burmans Association) in 1934 and qickly rose to become the leader of young Thakins - a title that proclaimed they were the true masters of their own land, not the British who had usurped the title. He thus came to be known as Thakin Kodaw Hmaing (Master Lord Hmaing), and later Sayagyi (great teacher) Thakin Kodaw Hmaing.
He is also considered to be unequalled in another traditional form of poetry called Laygyo gyi which he revived to great effect by giving it a new content of contemporary political issues. Hmaing inspired a whole generation of Burmese nationalists in the fight for independence, fostering immense pride in their own history, language and culture, and more importantly urging them to take direct action such as strikes by students and workers, the subject of Boingkauk htika (On Boycott). He showed no mercy to those who were mere political opportunists either, as in Hkway htika (On Dogs). His allusive and highly memorable style of verse made him very popular with the Burmese public and shielded his work from colonial government censorship.
In the wake of the second university students strike in history of 1936 when the All Burma Students Union (ABSU) was formed, Hmaing was elected its patron.[4] By 1941 his reputation as a leading nationalist earned him a place on the colonial authorities' 'Burma List', regarded as an 'enemy of the state'.It was Hmaing along with other leaders of the Dobama who sent Aung San and other young men - later known as the 'Thirty Comrades' - to seek military training abroad in order to fight the British.
Peace activist
After independence in 1948 the country immediately plunged into a widespread civil war which caused great sorrow to Hmaing, and he spent the rest of his life trying to bring internal peace to the land. He was a leading light in the world peace movement in Myanmar, and in 1952 attended the Peace Conference for Asia Pacific Region in Peking. He was elected Chairman of the World Peace Congress (Burma) the same year, and won the Lenin Peace Prize in 1954. Hmaing also travelled to China, Mongolia, Hungary and the Soviet Union in 1953, and went to Ceylon and India for the World Peace Conference in 1957. He was awarded an honorary doctorate in 1960 by the University of Hamburg, East Germany.
Thakin Kodaw Hmaing gave his active support together with the former Brig.General Kyaw Zaw to the Internal Peace Committee during the 1963 peace parley between the Revolutionary Council government of Ne Win and various armed rebel groups including the Communist Party of Burma, Red Flag Communists, and ethnic minorities. Hmaing's was the one voice that all parties across the political divide would listen to with respect, and remained the only alternative political voice the military could not silence, after they took power in 1962, until his death at the age of 88 in 1964 when all political parties except the ruling Burma Socialist Programme Party (BSPP) were abolished by decree.
He devoted his time to peace and national reconciliation with less time for writing towards the end of his life, stating that his last wish was to see a peaceful and united Burma. He was buried at the foot of the Shwedagon Pagoda, and on March 23 1976, the centenary of Hmaing's birth (Hmaing yabyei), over 100 students were arrested for holding a peaceful ceremony at his mausoleum.
Thakin Kodaw Hmaing was, in Anna Allott's words, "a man of many skills - a true Buddhist and a staunch patriot; poet and playwright;historian and teacher; pioneer writer and satirist - Thankin Kodaw Hmaing is the single most revered literary figure in modern Burma".
ေဇာ္ဂ်ီ
ငါ့ညီ ေျပာင္၀င္း၊ ေမာင္သစ္ဆင္း
မင္း၏ သားငယ္၊ မင့္ သက္လွယ္ကို
အဘယ္တရား ေဟာမည္နည္း။
ဆန္း၏ သတၱိ
ဆန္း၏ သမာဓိ၊ ဆန္း၏ ပညာ
ေဟာစရာကား၊ အလြန္မ်ား၏
မင့္သားအ႐ြယ္၊ သက္ႏွစ္ဆယ္တြင္
လူငယ္ ေအာင္ဆန္း၊ သူ႔ အစြမ္းကို
ပန္းေကာင္းတပြင့္၊ ပန္ဆင္တင့္သို႔
မင့္သား သိေစခ်င္လွ၏။
သူ႔ အစြမ္းကား၊ အျခားမဟုတ္
အအုပ္ခ်ဳပ္ခံ၊ မ်ဳိးျခားဒဏ္မွ
ျမန္မာလြတ္လမ္း၊ ခရီးၾကမ္း၀ယ္
ဗန္းျပအလွ၊ ပကာသနကို
ျပာက် ေလာင္ၿမိဳက္၊ သူ မီးတိုက္၏
ေခတ္လိုက္ခါညီ၊ ေခတ္မီပညာ
ၾကံဳရာဘ၀၊ မွ်တလံုေလာက္၊ ခံၿမိဳ႕ေဆာက္၏
ထိုေနာက္ တဆင့္၊ မိုးထိလြင့္ေအာင္
႐ိုးက်င့္ ျမင့္ၾကံ၊ သူ႔အလံတည့္
ပ်ံတလူလူ၊ သူထူခဲ့ေၾကာင္း
ေခါင္းေဆာင္ သေဘာ
မင့္ သားေခ်ာကို
ေျပာလိုက္ပါဘိ ေဟာပါဘိ။ ။
ေဇာ္ဂ်ီ
လမ္းစဥ္သတင္း၊ အတဲြ ၂၊ အမွတ္ ၁၄ (၁၅၊ ၇၊ ၁၉၆၆)